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ルイジ・ノーノの音楽(主として後期作品)について

Das atmende Klarsein

Discography

最新盤:2003年(Das atmende Klarsein)/2004年(Das atmende Klarsein Fragment)

CD: Das atmende Klarsein

 

1. Luigi Nono

Label: col legno - WWE 1CD 31871

[1] Das atmende Klarsein (1980/81) 44:40

[2] ...sofferte onde serene... (1976) 13:58

[3] Con Luigi Dallapiccola (1979) 19:11

*

Mitglieder des Südfunk-Chors Stuttgart

Rupert Huber, chorus master

Eva Furrer, bass flute

Beat Furrer, conductor

Peter Böhm, sound control

*

Recording: 25 August 1993, Aula Academica, Salzburg

Liner notes: Luigi Nono

Format: CD

released in 1994

 

2. Luigi Nono: Choral Works

Label: Hänssler Classic - CD 93.022

[1] Cori di Didone (1958) 9:53

[2] Da un diario italiano (1963-1964) 7:37

[3] Das atmende Klarsein (1980-1983) 36:35

*

Eva Furrer, bass flute

SWR Vokalensemble Stuttgart

Christoph Adt, chorus director

Rupert Huber, conductor

Peter Böhm, Live-Electronics

*

Recording: 10/11 October 1994 and 23/24 November 1995, SWR Funkstudio Stuttgart

Liner notes: Matthias Hermann

Format: CD

released in 2001

※Das atmende Klarseinはアカペラ合唱とフルート独奏が交互に現れるchorus 1 - flute 1 - c2 - f2 -c3 -f3 -c4 - f4の構成になっているが、この録音では即興による最後のフルート独奏部f4が省略されている。

 

3A. Luigi Nono

Label: col legno - WWE 2SACD 20600

SACD 1

[1]-[9] Io, frammento da Prometeo (1981) 72:33

SACD 2

[1]-[8] Das atmende Klarsein (1980/83) 38:34

[1] chorus ('nach spätem Gewitter ... das atmende Klarsein...') 1:32

[2] bass flute 5:40

[3] chorus ('Krena') 8:06

[4] bass flute 3:46

[5] chorus ('Ascolta') 6:36

[6] bass flute 2:41

[7] chorus ('Hier sein') 4:05

[8] bass flute 6:08

*

Roberto Fabbriciani, bass flute

*

Solistenchor Freiburg

Monika Wiech, Svea Schildknecht, Elisabeth Rave, soprano

Birgitta Schork, Evelyn Lang, Deborah Imholz, mezzo-soprano

Thomas Gremmelspacher, Frank Bossert, Rolf Ehlers, tenor

Matthias Schadock, Victor Alonso, Ulrich Rausch, bass

*

Electronic Realization:

Experimentalstudio der Heinrich-Strobel-Stiftung des Südwestrundfunks, Freiburg

Michael Acker, Reinhold Braig, sound direction

Bernd Noll, audio technology

*

André Richard, conductor

*

Recording: Zeitfluss, Salzburger Festspiele 2001, Kollegienkirche Salzburg

Liner notes: Jürg Stenzl

Format: 5.0 ch SACD / CD Hybrid released in 2003

※ジャケットデザインに2パターンあり:昔のcol legnoのロゴ入りのものと最近のシンプルな統一デザインのもの

 

3B. Luigi Nono x 3

Label: col legno - WWE 4SACD 90012

SACD 1: Io, frammento da Prometeo

SACD 2: Das atmende Klarsein

SACD 3: Prometeo, Tragedia dell'ascolto (Disc 1)

SACD 4: Prometeo, Tragedia dell'ascolto (Disc 2)

*

col legnoから出た2組の後期作品SACDを一つにまとめたもの

*

Foramt: 5.0 ch SACD/CD Hybrid

released in ?

 

CD: Das atmende Klarsein (Fragment)

Das atmende Klarsein - Fragmente for bass flute and tape (1981/1987)

Luigi Nono authorised the flautist Roberto Fabbriciani to play just the parts for flute, called Das atmende Klarsein - Fragmente; these require special electronic treatment, different to that used for this score. (Das atmende Klarseinの楽譜Ricordi 139378の巻頭解説より引用)

 

4. Roberto Fabbriciani: FLUTE XX

Label: Arts Music 447167-2

[1] Claude Debussy: Syrinx 2:36

[2] Jacques Ibert: Pièce 4:20

[3] Edgar Varèse: Density 21.5 3:37

[4] Bruno Maderna: Musica su due dimensioni 11:58

[5] Luciano Berio: Sequenza I 5:38

[6] Luigi Nono: Das atmende Klarsein (Fragment) 15:41

[7] Brian Ferneyhough: Carceri d'Invenzione II/b 10:30

[8] Salvatore Sciarrino: Come vengono prodotti gli incantesimi? 7:23

[9] Salvatore Sciarrino: Canzona di ringraziamento 7:06

*

Roberto Fabbriciani: bass flute

*

Recording: March 1987, Montevarchi (under the composer's supervision)

Liner notes: Luisella Botteon

Format: CD

released in 1994

 

5. Roberto Fabbriciani: Das atmende Klarsein

Label: Agorà Musica - AG 113

[1] Bruno Maderna: Musica su due dimensioni

[2] Roman Haubenstock-Ramati: Interpolation mobile

[3] Milko Kelemen: Fabliau

[4] Salvatore Sciarrino: Hermes

[5] Gyõrgy Kurtág: Doloroso

[6] Luigi Nono: Das atmende Klarsein (Fragment)

[7] Brian Ferneyhough: Mnemosyne

*

Roberto Fabbriciani: bass flute

*

Format: CD

released in 1997

 

6. Roberto Fabbriciani: XX LIVE DREAM FLUTE (2 CDs)

Label: Fondazione ATOPOS - ATP 003/4

CD1

[1] C. Debussy: Syrinx (1912) 2:37

[2] B. Maderna: Cadenza (1962) 4:10

[3] I. Yun: Sori (1988) 8:48

[4] A. Clementi: Passacaglia (1989/96) 12:04

[5] A. Piazzolla: 2 Études tanguistiques (1987) 5:44

[6] R. Fabbriciani: Sogna (1999) 13:53

CD2

[1] G. Kurtág: Doloroso (1992) 2:10

[2] S. Davismoon: Passed/ passing (1999) 14:59

[3] S. Sciarrino: All'aure in una lontananza (1977) 8:02

[4] L. Nono: Das atmende Klarsein (fragment) (1981/87) 11:00

[5] B. Cantarelli: Noi liberamente persi (1999) 5:10

*

Roberto Fabbriciani: bass flute

*

Recording: September 1999, Sogna, Italy (live)

Liner notes: Luisella Botteon, Roberto Fabbriciani

Format: CD

released in 2004

 

DVD

 

1. Luigi Nono: Das atmende Klarsein

Ricordi 139378 (ISMN M-041-39378-0)

Das atmende Klarsein Instructional DVD with special reference to the interpretation of the parts for bass flute and live electronics (Published by Casa Ricordi, Milano, 2005)

Ricordiから出版されたDas atmende Klaeseinの楽譜に付属のDVD

*

Contents:

A. Roberto Fabbriciani plays Das atmende Klarsein

Roberto Fabbricianiによるフルート独奏部の演奏

映像(3種類):

  • 奏者の映像
  • 歌口部分のアップ
  • 楽譜(修正跡がそのまま残っているノーノの手書き譜を表示)

音声(5種類):

  • フルートの生演奏のみ
  • 生演奏+ライヴ・エレクトロニクス
  • 生演奏+ライヴ・エレクトロニクス 5.1ch
  • フルートの演奏法についてのFabbricianiの解説付
  • ライヴ・エレクトロニクスについてのAlvise Vidolinの解説付

*

B. Glossary

作中で使われるバスフルートの特殊奏法28種類を個別に実演

Wide / Close up mouth

1. Groups of sounds in rapid and aperiodic sequence

2. Groups of sounds in accelerando on an aperiodic base

3. Groups of sounds in rallentando on an aperiodic base

4. Aperiodic tremolo, of irregular speed

5. Whipped-up sound; produced with lips, with tongue and with throat

6. Tongue-staccato around the lops

7. Gradual transition from one method of sound production to another

8. Breathig out

9. Breathing in

10. Key-noise

11. Prevalence of the sound of breath, with little or no presence of pitched sound

12. Mixture of sound at a determined pitch and breath

13. Tongue-ram

14. FInger position

15. Tongue-pizzicato

16. Tongue-pizzicato (without sound)

17. Positions of the embouchure

18. Click with the tongue on the embouchure in various positions

19. Fluctuations in amplitude accompanied by variations in the degree of aperture of the oral cavity

20. Microintervals

21. Quarter tones

22. Transition from no vibrato to vibrato to no vibrato

23. Transition from vibrato to no vibrato

24. Emission of breath together with the sound, in gradual transition from a little to a lot and vice versa

25. Sound with whistle sound

26. No vibrato

27. Variation of timbre (aperiodic) to be obtained by alternating different fingerings for the same given pitch

28. Whistle-tones

*

C. Introductionary texts

バスフルート、合唱、作品の生成過程についての総説

The bass flute (R. Fabbriciani)

Historical introduction

Technical introduction

The score

The relationship between choir and flute (R. Fabbriciani, A. Richard)

-

The live electronics (A. Vidolin)

Introduction

Sound engineering

Positioning speakers

Positioning of microphones

Notes on the DVD

-

The choir (A. Richard)

Singing softly

The characteristics of the voices

The number of singers

Crescendos and decrescendos

The fermatas Intonation

-

The compositional genesis (E. Schaller)

Letter from Massimo Cacciari

Initial proposal of texts by Rainer Maria Rilke

Texts inscribed on ancient orphic plates

Combining of poetic texts

Recording the tape for the last section

Multiphonics as intervallic material

The rhythmic material

The first combining of rhythmic and intervallic material

The derivation of the first bars of the chorus

Advanced sketch of the first bars

Fragmentation of the musical test

Multiphonics for the first bass flute section

Initial sketch of the first section for bass flute

Initial sketch of the second section fot bass flute

The complete form

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